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Guitar_Techniques : Advanced Guitar TechniquesOn Blog of Stuff .com |
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| Guitar_Techniques : Advanced Guitar Techniques posted by iqupo | ||||
The guitar is a versatile musical instrument that allows musical creativity to be expressed very well. Picking notes and strumming chords is great for learning, but it starts to sound mechanical. Here are a few advanced guitar techniques and tricks to make your music more vibrant. As you learn, you will notice that your favorite guitarist uses these very same techniques! Click to view the Basic Guitar Lessons if needed.
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Guitar tab notation is shown here, bends are indicated with an upward arrow (and may also state how much to bend FULL, 1/2 etc). Pushing the string up a little (half bend) will change the sound by one fret (half step), pushing it more (full bend) will raise the pitch by two frets (one step), and once your fingers are stronger - pushing the string all the way will raise the pitch by three frets (one and one-half step). Be warned however, bending strings can be PAINFUL at first, so practice lightly till your fingertips get de-sensitized.
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A very common technique to break up a monotonous stretch of music is the Vibrato. At any point where a note is held (usually for more than one beat, though it works on single beats as well) - instead of leaving your finger on the fret to hold the note, rapidly wiggle the finger (up and down, or side to side). This adds a wavering quality to the note and gives it some feeling. There are many ways to add vibrato, in fact it gives many guitarists their "trademark" sound. BB King for example, does what (as the definition of) is called the "Butterfly vibrato" where he extends the other (unused) fingers and wiggles his entire wrist.
Palm Muting is another way to get distinctive sounds out of your guittar. Although it works best on an electric guitar with distortion effects - it can also be used on acoustic guitars. Simply allow the palm of your right hand to touch the strings while you are strumming or picking the strings - this creates a flat sound or thump (depending on your gear). On some acoustic guitars that have excessive bass (the fat E string sounds too loud), you can partially palm mute by only touching the high E string - this will reduce the bass effect when you are strumming chords.
Guitars are normally tuned to E-B-G-D-A-E notes - however you can also use Alternate Tuning. This changes the open notes for one (or more) strings, completely changing the sound and of course the way you play notes. One popular alternate tuning is the Drop D tuning, where the high E string (fattest E string) is tuned down to D instead of E. Some rock and blues songs use alternate tuning - if you are trying to play one of those songs from tab or sheet music, it would be almost impossible to do so without changing the tuning of your guitar. |
Normally you can fret upto 4 strings with your four fingers on the left hand, but some chords require you to fret all six strings (such as the F chord). In order to do this, you have to use your index finger to form the Barre or Bar - and lay it flat across the strings and push down. This trick also allows you to create alternate tuning on-the-fly, since your finger behaves like the nut at the top of your guitar neck. You can form all kinds of chords behind the bar, and it is very popular in many songs. Barring with the finger can be tricky, so metal or glass Slides are available to put over your finger - and it makes things a little easier. Some formats of music (and even some guitars) are built entirely around slides, and is called Slide Guitar.
These are only a few advanced guitar techniques, click if you need a refresher on Beginner Guitar Lessons. |
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| Learning_Guitar_Chords : Learning Guitar Chords posted by igeayievu | ||||
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Chords are the complex sound created by two or more individual music notes. There are an infinite number of chords possible on the guitar, here we will just learn a few basic (and simple) beginner guitar chords. Click to read about guitar fret notes. The first chord we will discover is the E Major chord.
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The next chord we will learn is the A Major chord shown here. Place your first, second and third fingers at the frets as shown in the picture. Note the sixth string has an X marked next to it, this means you do NOT want to strike that string. While your are learning you will probably hit that string while strumming, just don't worry about it too much right now. Go ahead and strum the five strings together (with a downstroke), this is the A Major chord.
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One more chord we will learn is the C Major chord. Place your first, second and third fingers at the frets as shown in the picture. This chord also has the sixth string muted (with an X to indicate DON'T PLAY THIS STRING). Again, don't worry if you hit that string while learning. Strum the five strings together (with a downstroke), you have just played the C Major chord. Try these three chords out, strum each chord four times on downstrokes along with the beats of your metronome. Slow and steady, don't go too fast just yet. Ensure the chord sounds melodious, if any fingers are not pressing down properly, or are touching other strings - you will immediately be able to hear the sound of the chord change. After a few minutes of practice, change your strumming to both directions, go DOWNSTROKE UPSTROKE DOWNSTROKE UPSTROKE in time with your metronome beats. Note we are still doing 4 beats (down up down up) for each chord, slowly increase the speed of your metronome by 10 after a few minutes of practice for each chord.
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Using these basic chords you can now play a simple tune! Play the three chords in this order: A A A A C C C C E E E E and repeat. Note there are four "beats" for each chord, play it with the down up down up rhythm. At first you (or they) will have some difficulty in switching between chords, this is perfectly natural. Practice makes perfect, keep your metronome on a slow speed till your fingers get trained. You will find it gets easier with practice, then increase your metronome speed by 10 and keep playing. And most of all, have fun! You are playing the guitar!
Next we will learn how to read guitar tab and also how to read guitar sheet music. |
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| acoustic_guitar : Various acoustic guitar types posted by efpxuujk- | ||||
![]() There are many different acoustic guitar bodies available today. The most important deciding factor would be the style of music you (or him or her) hope to accomplish, secondary to this would be comfort, and lastly aesthetics. The guitar has to sound right, feel right, and look right - when its in your hands! Auditorium: One of the largest guitar bodies being made today. As the name implies, the sound emitted should fill an auditorium. Keep in mind, larger bodied guitars lose their projection capability, the sound seems to become lost in the larger cavity of the instrument. Yes, it will have a large sound, and tremendous bass response, but seems to lose in projection. Great for fingerstyle. |
![]() Grand Concert: A Grand Concert size is more balanced, designed to minimize overtones on stage, does not have a boomy bass or the usual reverberation found in Dreadnought-sized guitars.The Grand Concert seems to have a more focused sound than an Auditorium size, if you're looking for a bigger sound, and are not concerned as much about projection, the Auditorium size will fill your needs, the Grand Concert is slightly more balanced with more projection due to the slightly smaller body size. Both the Auditorium and the Grand Concert are designed for Fingerpicking first, flatpicking can also be accomplished on both sizes, however, for bluegrass flatpicking, settle for nothing but a Dreadnought. Excellent for fingerstyle, still works for flatpicking outside of bluegrass. |
![]() Dreadnought: Originated around 1916, uses the standard X Bracing. This is the size of choice when flatpicking, characterized by a booming bass and tremendous projection, the Dreadnought is the guitar of choice for all Bluegrass guitarists. This size guitar (this instrument is used in every form of music, from Classical to Heavy Metal) also serves well for backing up fiddlers due to the booming bass end. The Dreadnought is the most popular sized guitar made today (and yesterday). Many popular artists have used the Dreadnought to good effect both in fingerpicking and flatpicking idioms. Just the same, this wouldn't be the ideal choice for the serious fingerpicker. Even so, the Dreadnought would be the most versatile guitar to fill most any medium and style of music played. First choice for flatpicking, works well for fingerstyle too, the most versatile guitar for all mediums and genres. Orchestra: Little larger than the 00 and 000 models described below, the OM shares many of the same characteristics as the 00 and 000 models. New variations are now available, such as the OM Jumbo which larger than the standard OM but smaller than the Dreadnaught. |
![]() Smaller bodied guitars include the OO and OOO styles. These guitars offer tremendous balance from bass to treble. And, they also have amazing projection. They do not have any bottom end to speak of, but, this would be the trade-off for projection and balance. Great for fingerstyle and seems to have a more trebly tonal range, a great guitar to offset other Dreadnought guitars within a jam session. The final size, which isn't a steel string design, is the Classical sized guitar. This body size is specifically designed for nylon strings and is almost always fingerpicked. On rare occasion, players will flatpick this style of guitar - such as Willie Nelson and Jose Feliciano has aptly done. And, when guitar is played in an Orchestra setting, the nylon is the guitar of choice. There's also the question of shallow or deep, all Dreadnoughts, and Classicals, have a deep body, more depth adding to the overall cavity of the instrument - this usually contributes to a deeper resonance and more resounding bass shallow guitars, those with less depth on the body, will have more projection and focus while also having a better balance from bass to treble. Shallow body styles are normally found in the Concert size or OOO/OO sizes. |
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